A spouse to Greek Literature provides a entire advent to the wide variety of texts and literary varieties produced within the Greek language over the process a millennium starting from the sixth century BCE as much as the early years of the Byzantine Empire.
• positive factors contributions from quite a lot of verified specialists and rising students of Greek literature
• bargains accomplished insurance of the various genres and literary types produced by way of the traditional Greeks--including epic and lyric poetry, oratory, historiography, biography, philosophy, the radical, and technical literature
• contains readings that tackle the creation and transmission of historical Greek texts, ancient reception, person authors, and masses extra
• Explores the topic of historical Greek literature in leading edge methods
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Extra info for A Companion to Greek Literature (Blackwell Companions to the Ancient World)
The authoritativeness of a particular genre can often be gauged in terms of its ability to effectively “contain” and “control” the other genres it incorporates. Genre, thus, might be defined less by what it is than what it does, and brought into dialogue with theories of the performative. This move creates the possibility of displacing reference as the sole or ultimate function of historical discourse. L. Austin (1962) has pointed out, even denotative statements can constitute speech acts to the extent that they inform; as we know from ideology-laden texts such as dictionaries, descriptive language can also be highly prescriptive (Bourdieu 1991: 60–1).
De Certeau similarly explains that history begins with the process of “producing” a series of documents “by dint of copying, transcribing, or photographing these objects, simultaneously changing their locus and their status” (1988: 72). Even though, for Ricoeur, the archive represents the “first writing,” he acknowledges, “in the archives, the historian is by profession a reader” (2000: 209). A focus on the archive thus gives pride of place to practices central in narratives of historical research and archival “survival,” ranging from the valued intellectual capacity to read and judge what is important (and what is missing) in a surfeit of materials to the humbling manual and mechanical labor of copying and transcription.
As in colonial and postcolonial studies, in which, as Ann Stoler and Karen Strassler have argued, the romance of the oral flourishes, subaltern memory often appears to be an unproblematic “access-point to untold stories of the colonized” since it is always “official memory that is on the line” (2000: 7–8). Ironically, as Andrew Shryock has suggested, ethnohistorical approaches, while privileging oral discourses about the past in order to critique hegemonic forms of written historiography, frequently end up overwriting alternative memory practices in the interest of producing a radical, but nonetheless linear, written historiography: a move, he deems, a form of “historiographical imperialism” (1997: 25–30).